石頭公社 Comuna de Pedra
Showing posts with label 2009南灣湖的金魚缸之盛世危言. Show all posts
Showing posts with label 2009南灣湖的金魚缸之盛世危言. Show all posts
5/04/2009
4/28/2009
藝評--南灣湖的金魚缸之盛世危言/NAIWEN
(摘自：台灣藝評人NAIWEN部落格”我乃文字”http://coolmoonintaiwan.blogspot.com/2009/04/20090412-ze-yes-chic-make-up-scene.html） 
光聽劇名我就不奢望能看懂：南灣湖在澳門嗎？金魚缸是一種裝置還是一個象徵？盛世是我們這一世嗎？現世價值混亂是非不明，還有什麼危言可以聳聽？看完之後除了第一個問題答案是yes，其他答案我還未有定論。
表演分三個部份。從下午一點到午夜十二點，歷時十小時。
兩個場地。第一部份現場演出加錄像，第二部份裝置藝術展，第三部份行為藝術，整體是表演。下午一點多走進三巴藝門，全白空間，鏡子、沙發、有型有款的服裝，彷彿走進一家chic精品服飾店，定睛一瞧，裡面所有人都以極慢速移動著，彷彿在進行一種動態的冥思--他們在表演嗎？還是在觀察我們？
兩個場地。第一部份現場演出加錄像，第二部份裝置藝術展，第三部份行為藝術，整體是表演。下午一點多走進三巴藝門，全白空間，鏡子、沙發、有型有款的服裝，彷彿走進一家chic精品服飾店，定睛一瞧，裡面所有人都以極慢速移動著，彷彿在進行一種動態的冥思--他們在表演嗎？還是在觀察我們？再向內是一組「扮演出」的裝置展，叫「堆砌匯演」(Make-up Scene)。的確啦，如果表演是一種概念的執行，那用裝置模仿概念又有何不可呢？
傍晚六點，天色開始昏暗，南灣湖畔賭場高樓林立有如一盞盞發光裝置，另一邊跨海大橋的街燈也亮起了。水上飄著優雅的音樂，一群觀眾守候在湖邊兩鐘頭，等著看什麼在湖上發生。我翻看文宣上寫著：「以無聊抵抗無聊」。但在狹窄而熱鬧的城市擁有這一方安靜，多麼令人喜歡啊。望著水波粼粼，神思隨之晃蕩，音樂聲中白衣人緩緩走岸，過約半小時後，六艘小白船一一航出，好像也不特別為什麼。這時我想：如果今天獨自在湖畔緬想、感受到一點什麼的話，其實差不多也是這樣的節奏，無衝擊性但舒服，不抵抗什麼而接受，這就是人心流淌的速度。
如果這叫做無聊，那麼強迫自己不可以無聊的想法難道不是種現代病嗎？一直演到午夜十二點慢速表演來說，不是沒意識，但以這麼長的時間去捕捉一個抽象概念，對總是迅速擷取和操作符號的影像語彙和現代人來說，應該是呆爆的行為。視神經和腦神經捕捉的訊息是快速的，但是，純粹地用身體力行去「體驗」什麼卻必須緩慢。 我想起台灣一個互動性數位科技藝術家陶亞倫，他總以機械和科技感十足的媒材，觸及人身體本能經驗的東西：「創作核心命題是以敏銳的直覺與還原古老身體的節奏，作為人類擺脫被科技物化的良藥，與面對超速機械文明的心靈出口。」他說︰「人類的心智與生理結構在近兩萬年的進化過程中，其實並沒有太大的改變，古老身體的演化速度，是否能趕上訊息技術進步的速度呢？」
4/05/2009
澳門藝穗2009 - 《南灣湖的金魚缸之盛世危言》
扮玩的不是同你講玩，扮認真的完全不認真，扮劇場的不是劇場，扮不是表演的表演，這年頭好多人好多事都好神經，澳門作為一個娛樂城市，你表演還是我表演？
石頭公社第十三年神經錯亂之作 ?！
3個創作人，自我與虛空的一場終極決鬥？！
－『一打創作』實驗計劃(1-3)／石頭09’
南灣湖與三巴藝門，３個完全不同的創作實驗，組成一個３合１的演出：
南灣湖邊，企圖以無聊抵抗無聊，以怪誕面對更怪誕的現實；
金魚缸內，紙盒演出自編自導；
金魚缸內，連續極慢舞動11小時，當時間淡出，身體抽離，當記憶調教至焦距模糊，當自我隱去，只有影子如水流過。
演出由三巴藝門至南灣湖再至三巴藝門，觀眾全程開放式體驗，與創作者共同經歷作品形成過程，使觀賞成為演出一部份。
12/4 《南灣湖的金魚缸之盛世危言》
第一、二部份：13H00 - 24H00 角落畫廊 @ 三巴藝門
第三部份 : 18H00-19H00 南灣湖
第一部份 : J＋ZE／ 現場演出＋錄像
J的話：“慢”是一種個人的回歸，對心靈和身體感覺的回歸，以對應變得愈來愈快的周遭。
石頭創始成員。出生於北京，成長於澳門，學習於澳門、巴黎、北京，現工作生活都在澳門。
第二部份：小嫻 ／裝置創作／三巴藝門
小嫻的話：一個扮演出的不是演出。
石仔@石頭公社，畢業於澳門理工學院藝術高等學校綜合設計系日校。二oo二年加入石頭公社後參與多個環境舞蹈劇場演出，近年開始嘗試道具設計，自標為瓜媒體創作人，熱衷於傻瓜先做的創作，願望有生之年能一直從事跨媒體創作，直至「瓜果日」。
第三部份：吳方洲 ／行為 ／南灣湖
方洲的話：粗糙地揭開事實的真相，模糊地看準問題的本質，超越現實地陳述個人的論點，這也是對社會的一種態度。
畢業於澳門視覺藝術學校高級當代繪畫證書、高級攝影證書、高級版畫證書課程及澳門理工學院藝術高等學校『視覺藝術(教育)』系，1990年起參加國內外聯展八十餘次，並參與當代劇場演出。現為澳門牛房倉庫藝術空間展覽策劃、澳門現場行為藝術節(MIPAF)策劃。並供職於澳門民政總署轄下澳門藝術博物館，任展覽策劃。
12/4 “Alarme de um Aquário no Lago de Nam Van” The stone commune
“The Prosperity Alarm of the Goldfish Tank in Nam Van Lake”Comuna De Pedra
(Part 1)： Live Performance & Video ／Espectáculo ao vivo e Arte de Vídeo
( Part 2) : Installation Exhibition and Performance／Arte de Instalação
13H00 - 24H00Corner Gallery @ St. Paul's Fine Art
(Part 3) : Performance Art／Arte de Performance
18H00-19H00 Nam Van Lake／Lagos de Nam Van
Pretending to be a theatre, but not. A performance pretending not to be a performance.
In this era, many people and things are crazy. Are you performing, or am I?
3 different pieces with the same vigor reflects the present situation truthfully.
Challenging the extreme, fooling with themselves, using lameness to fight against lameness, more absurd than the absurdity of the reality, an ultimate battle between the self and emptiness.
A crazy piece of the Comuna de Pedra in its thirteenth year!
A performance with the cast giving their best that will be performed nevermore.
Part １:J Lei + ZE
12 performers (TBC) will be doing a 11-hour experimental performance. During these ten hours, they will be moving in an extremely slow speed, which requires performers to keep on adjusting their breaths, mindsets, thoughts, distracting thoughts, etc. They will have to adjust their body and mind to the neutral state, and simply feel the interactive relationship between the body, time and space. It is a flowing yet silent as still state of movement while it is also a very good exercise for having a peaceful mind and adjusting the body and mind. Aside from examining their bodies and states of mind, they will also gain a different view towards movement and performance.On the spot, twelve videos will be played nonstop and will be projected towards the whole space. We would choose the videos or find people to shoot them. Including the videos in Part 1’s Nam Van Lake Performance Art, all videos and twelve pieces of music will be played randomly.This is an open performance where audiences are free to walk in and out, drink and sleep during the performance provided that they will not make any disturbance on purpose.
Part ２:A paradox of pretending to be a performance, but not.
installation：Siu Han
A pebble of Comuna de Pedra, graduated from the Macao Polytechnic Institute School of Arts in Design (Daytime). Joined the Comuna de Pedra since 2002 and has participated in various environmental dance theatres since then, and is recently designing props. She labels herself as a foolish media artist, enthusiastic in creating what fools do and hopes that she’ll be able to be engaged in the trans-media until the day she dies.
Part ３:Artist: Ng Fong Chao
Venue: Nam Van Lake
The artist will make six arks which will carry six couples. They can row the ark and enjoy freely on it.Comuna de Pedra,a non-profit making culture and art association, was first established in 1996. It has been a local active art association, focusing on dance theatre productions, visual art creation and promotion of the art education, with the attempt to develop more artistic possibilities and cultivate culture in Macau.It has attempted in different experiments and collaborations in its dance theatre works. Aside from indoor theatres, it has also done environmental creations and performances in public areas including squares, gardens, an emptied trading centre, the waterfall outside the Cultural Centre, an emptied factory, the old Macau-Taipa bridge and the Ruins of St. Paul, etc.
石頭公社第十三年神經錯亂之作 ?！
3個創作人，自我與虛空的一場終極決鬥？！
－『一打創作』實驗計劃(1-3)／石頭09’
南灣湖與三巴藝門，３個完全不同的創作實驗，組成一個３合１的演出：
南灣湖邊，企圖以無聊抵抗無聊，以怪誕面對更怪誕的現實；
金魚缸內，紙盒演出自編自導；
金魚缸內，連續極慢舞動11小時，當時間淡出，身體抽離，當記憶調教至焦距模糊，當自我隱去，只有影子如水流過。
演出由三巴藝門至南灣湖再至三巴藝門，觀眾全程開放式體驗，與創作者共同經歷作品形成過程，使觀賞成為演出一部份。
12/4 《南灣湖的金魚缸之盛世危言》
第一、二部份：13H00 - 24H00 角落畫廊 @ 三巴藝門
第三部份 : 18H00-19H00 南灣湖
第一部份 : J＋ZE／ 現場演出＋錄像
J的話：“慢”是一種個人的回歸，對心靈和身體感覺的回歸，以對應變得愈來愈快的周遭。
石頭創始成員。出生於北京，成長於澳門，學習於澳門、巴黎、北京，現工作生活都在澳門。
第二部份：小嫻 ／裝置創作／三巴藝門
小嫻的話：一個扮演出的不是演出。
石仔@石頭公社，畢業於澳門理工學院藝術高等學校綜合設計系日校。二oo二年加入石頭公社後參與多個環境舞蹈劇場演出，近年開始嘗試道具設計，自標為瓜媒體創作人，熱衷於傻瓜先做的創作，願望有生之年能一直從事跨媒體創作，直至「瓜果日」。
第三部份：吳方洲 ／行為 ／南灣湖
方洲的話：粗糙地揭開事實的真相，模糊地看準問題的本質，超越現實地陳述個人的論點，這也是對社會的一種態度。
畢業於澳門視覺藝術學校高級當代繪畫證書、高級攝影證書、高級版畫證書課程及澳門理工學院藝術高等學校『視覺藝術(教育)』系，1990年起參加國內外聯展八十餘次，並參與當代劇場演出。現為澳門牛房倉庫藝術空間展覽策劃、澳門現場行為藝術節(MIPAF)策劃。並供職於澳門民政總署轄下澳門藝術博物館，任展覽策劃。
12/4 “Alarme de um Aquário no Lago de Nam Van” The stone commune
“The Prosperity Alarm of the Goldfish Tank in Nam Van Lake”Comuna De Pedra
(Part 1)： Live Performance & Video ／Espectáculo ao vivo e Arte de Vídeo
( Part 2) : Installation Exhibition and Performance／Arte de Instalação
13H00 - 24H00Corner Gallery @ St. Paul's Fine Art
(Part 3) : Performance Art／Arte de Performance
18H00-19H00 Nam Van Lake／Lagos de Nam Van
Pretending to be a theatre, but not. A performance pretending not to be a performance.
In this era, many people and things are crazy. Are you performing, or am I?
3 different pieces with the same vigor reflects the present situation truthfully.
Challenging the extreme, fooling with themselves, using lameness to fight against lameness, more absurd than the absurdity of the reality, an ultimate battle between the self and emptiness.
A crazy piece of the Comuna de Pedra in its thirteenth year!
A performance with the cast giving their best that will be performed nevermore.
Part １:J Lei + ZE
12 performers (TBC) will be doing a 11-hour experimental performance. During these ten hours, they will be moving in an extremely slow speed, which requires performers to keep on adjusting their breaths, mindsets, thoughts, distracting thoughts, etc. They will have to adjust their body and mind to the neutral state, and simply feel the interactive relationship between the body, time and space. It is a flowing yet silent as still state of movement while it is also a very good exercise for having a peaceful mind and adjusting the body and mind. Aside from examining their bodies and states of mind, they will also gain a different view towards movement and performance.On the spot, twelve videos will be played nonstop and will be projected towards the whole space. We would choose the videos or find people to shoot them. Including the videos in Part 1’s Nam Van Lake Performance Art, all videos and twelve pieces of music will be played randomly.This is an open performance where audiences are free to walk in and out, drink and sleep during the performance provided that they will not make any disturbance on purpose.
Part ２:A paradox of pretending to be a performance, but not.
installation：Siu Han
A pebble of Comuna de Pedra, graduated from the Macao Polytechnic Institute School of Arts in Design (Daytime). Joined the Comuna de Pedra since 2002 and has participated in various environmental dance theatres since then, and is recently designing props. She labels herself as a foolish media artist, enthusiastic in creating what fools do and hopes that she’ll be able to be engaged in the trans-media until the day she dies.
Part ３:Artist: Ng Fong Chao
Venue: Nam Van Lake
The artist will make six arks which will carry six couples. They can row the ark and enjoy freely on it.Comuna de Pedra,a non-profit making culture and art association, was first established in 1996. It has been a local active art association, focusing on dance theatre productions, visual art creation and promotion of the art education, with the attempt to develop more artistic possibilities and cultivate culture in Macau.It has attempted in different experiments and collaborations in its dance theatre works. Aside from indoor theatres, it has also done environmental creations and performances in public areas including squares, gardens, an emptied trading centre, the waterfall outside the Cultural Centre, an emptied factory, the old Macau-Taipa bridge and the Ruins of St. Paul, etc.
4/04/2009
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