澳門藝穗2009 - 《南灣湖的金魚缸之盛世危言》

扮玩的不是同你講玩，扮認真的完全不認真，扮劇場的不是劇場，扮不是表演的表演，這年頭好多人好多事都好神經，澳門作為一個娛樂城市，你表演還是我表演？

石頭公社第十三年神經錯亂之作 ?！
3個創作人，自我與虛空的一場終極決鬥？！ 　　　　　　　　　
　　　　　　　　　　　　　　　　　　　　－『一打創作』實驗計劃(1-3)／石頭09’


南灣湖與三巴藝門，３個完全不同的創作實驗，組成一個３合１的演出：
南灣湖邊，企圖以無聊抵抗無聊，以怪誕面對更怪誕的現實；
金魚缸內，紙盒演出自編自導；
金魚缸內，連續極慢舞動11小時，當時間淡出，身體抽離，當記憶調教至焦距模糊，當自我隱去，只有影子如水流過。


演出由三巴藝門至南灣湖再至三巴藝門，觀眾全程開放式體驗，與創作者共同經歷作品形成過程，使觀賞成為演出一部份。


12/4 《南灣湖的金魚缸之盛世危言》
第一、二部份：13H00 - 24H00　角落畫廊 @ 三巴藝門
第三部份 : 18H00-19H00　南灣湖


第一部份 : J＋ZE／ 現場演出＋錄像
J的話：“慢”是一種個人的回歸，對心靈和身體感覺的回歸，以對應變得愈來愈快的周遭。
石頭創始成員。出生於北京，成長於澳門，學習於澳門、巴黎、北京，現工作生活都在澳門。


第二部份：小嫻 ／裝置創作／三巴藝門
小嫻的話：一個扮演出的不是演出。
石仔@石頭公社，畢業於澳門理工學院藝術高等學校綜合設計系日校。二oo二年加入石頭公社後參與多個環境舞蹈劇場演出，近年開始嘗試道具設計，自標為瓜媒體創作人，熱衷於傻瓜先做的創作，願望有生之年能一直從事跨媒體創作，直至「瓜果日」。


第三部份：吳方洲 ／行為 ／南灣湖
方洲的話：粗糙地揭開事實的真相，模糊地看準問題的本質，超越現實地陳述個人的論點，這也是對社會的一種態度。
畢業於澳門視覺藝術學校高級當代繪畫證書、高級攝影證書、高級版畫證書課程及澳門理工學院藝術高等學校『視覺藝術(教育)』系，1990年起參加國內外聯展八十餘次，並參與當代劇場演出。現為澳門牛房倉庫藝術空間展覽策劃、澳門現場行為藝術節(MIPAF)策劃。並供職於澳門民政總署轄下澳門藝術博物館，任展覽策劃。






12/4 “Alarme de um Aquário no Lago de Nam Van” The stone commune
“The Prosperity Alarm of the Goldfish Tank in Nam Van Lake”Comuna De Pedra

(Part 1)： Live Performance & Video ／Espectáculo ao vivo e Arte de Vídeo
( Part 2) : Installation Exhibition and Performance／Arte de Instalação
13H00 - 24H00Corner Gallery @ St. Paul's Fine Art
(Part 3) : Performance Art／Arte de Performance
18H00-19H00 Nam Van Lake／Lagos de Nam Van

Pretending to be a theatre, but not. A performance pretending not to be a performance.
In this era, many people and things are crazy. Are you performing, or am I?
3 different pieces with the same vigor reflects the present situation truthfully.
Challenging the extreme, fooling with themselves, using lameness to fight against lameness, more absurd than the absurdity of the reality, an ultimate battle between the self and emptiness.
A crazy piece of the Comuna de Pedra in its thirteenth year!
A performance with the cast giving their best that will be performed nevermore.



Part １:J Lei + ZE
12 performers (TBC) will be doing a 11-hour experimental performance. During these ten hours, they will be moving in an extremely slow speed, which requires performers to keep on adjusting their breaths, mindsets, thoughts, distracting thoughts, etc. They will have to adjust their body and mind to the neutral state, and simply feel the interactive relationship between the body, time and space. It is a flowing yet silent as still state of movement while it is also a very good exercise for having a peaceful mind and adjusting the body and mind. Aside from examining their bodies and states of mind, they will also gain a different view towards movement and performance.On the spot, twelve videos will be played nonstop and will be projected towards the whole space. We would choose the videos or find people to shoot them. Including the videos in Part 1’s Nam Van Lake Performance Art, all videos and twelve pieces of music will be played randomly.This is an open performance where audiences are free to walk in and out, drink and sleep during the performance provided that they will not make any disturbance on purpose.


Part ２:A paradox of pretending to be a performance, but not.
installation：Siu Han
A pebble of Comuna de Pedra, graduated from the Macao Polytechnic Institute School of Arts in Design (Daytime). Joined the Comuna de Pedra since 2002 and has participated in various environmental dance theatres since then, and is recently designing props. She labels herself as a foolish media artist, enthusiastic in creating what fools do and hopes that she’ll be able to be engaged in the trans-media until the day she dies.

Part ３:Artist: Ng Fong Chao
Venue: Nam Van Lake
The artist will make six arks which will carry six couples. They can row the ark and enjoy freely on it.Comuna de Pedra,a non-profit making culture and art association, was first established in 1996. It has been a local active art association, focusing on dance theatre productions, visual art creation and promotion of the art education, with the attempt to develop more artistic possibilities and cultivate culture in Macau.It has attempted in different experiments and collaborations in its dance theatre works. Aside from indoor theatres, it has also done environmental creations and performances in public areas including squares, gardens, an emptied trading centre, the waterfall outside the Cultural Centre, an emptied factory, the old Macau-Taipa bridge and the Ruins of St. Paul, etc.